Other than three months instruction under Jean-Léon Gérôme, Raffaelli had no formal painting training. He was an actor before deciding to be a painter and was able to exhibit one of his landscapes in the Salon. His style and subject matter was closer to the Realists than traditional Academicism, however; he depicted his era and its people as he saw them. This caught the attention of Edgar Degas who invited Raffaelli to exhibit with the Impressionists. Monet got pissy about letting a non-Impressionist into their space though, so he refused to exhibit that year.
While considered a Realist, this work is definitely impressionistic. The Cathedral of Notre Dame de Paris seems to be a favorite subject for Raffaelli as he paints it many times from different vantage points over the course of his career, in different styles and media. Monet has a very famous series of images of Rouen Cathedral that Raffaelli might be referencing, but Monet’s Rouen works are a series, these of Notre Dame are not. This may have been a response to Monet’s snub or Raffaelli’s experimenting with Impressionism because of his direct exposure to it, but it’s hard to say. I could find no date for this specific work.
Realism. Academicism. Impressionism. There’s one other movement in art at this time but I cannot remember what is was called. Not the “Pre-Raphaelite Brotherhood.” Not my alley, but an interesting diversion!
I can’t get into analyzing/criticizing art. I used to, when I was younger, but it began to seem to me to be the quickest way to lose interest in the thing that’s hanging on the wall, in favor of the thing that’s hanging between our ears.
Anymore, my art analysis boils down to one thing: do I like looking at it? I don’t care to be “challenged” or “confronted” or “made uncomfortable” as all the very worst artists insist is the point, in lieu of working hard and excelling. I want to be cooperated with, welcomed, and made comfortable.
The Raffaelli up there? I like looking at it.
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Yep. I like what I like. Though around Christmastime I do sometimes look at a bunch of Madonna paintings and enjoy learning about the symbolism– mostly b/c I am severely rusty when it comes to the Bible.
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I can’t get into analyzing/criticizing art. I used to, when I was younger, but it began to seem to me to be the quickest way to lose interest in the thing that’s hanging on the wall, in favor of the thing that’s hanging between our ears.
Anymore, my art analysis boils down to one thing: do I like looking at it? I don’t care to be “challenged” or “confronted” or “made uncomfortable” as all the very worst artists insist is the point, in lieu of working hard and excelling. I want to be cooperated with, welcomed, and made comfortable.
The Raffaelli up there? I like looking at it.
Yep. I like what I like. Though around Christmastime I do sometimes look at a bunch of Madonna paintings and enjoy learning about the symbolism– mostly b/c I am severely rusty when it comes to the Bible.